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Eric Escobar writes about a Greenscreenproduction he did for Sony. He filmed the Talent in a greenscreen stage. Everything else was a rendered 3d-Enviroment. As the Cam should be constantly moving they put markers on the green to match it later in post. There are some Problems they ran into and their solutions to it.

In production, creating a 360 shooting field was impractical, instead, we shot the choreography on direction, and then rotated the markers 180 degrees and Jon was able to rotate his starting point, and hence the choreography. Marty flipped the lights and we were ready to go.

It’s a good read, so click the Link and do it

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