Last Weekend I had a day off. My Son was visiting his Grandma and me and my Wife took the Chance to hit the Theaters again after a Long time with only DVDs to view. And I wouldn’t tell you this here, if it wouldn’t have something to do with Red.
As you can see on [...]
Seems like Build 16 of the RedOnes firmware is on it’s way to be called out of Beta. At last Art Adams thinks so, and he’s the Guy that produced wonderfull images with it.
M2G Media had to do a Spot for the all new Nissan Maxima in just 7 days. Besides using a very impressive Photobubble the whole Spot was recorded with the RedOne. At first sight they used it because of the shark and clear imagery, but they also, as the Final Footage needed to be 1080 [...]
The Filmmakersmagazin has a long and good to read article about the Reactions from two Crews who used the Red One in there Work.
In time Red will undoubtedly have competitors in the technology of high-level HD, most likely from Genesis and/or Viper. But although these systems still can‘t record more than 2K worth of [...]
Written by a complete post idiot, these RED tips may make your life slightly easier
Not my word, but his. The Text gives you a inside of one way to master red footage. I’ve read other ones, so it’s just one way. Read it and learn from it.
Cinemoose about the future of independant movies and the RedOne who seems to be it.
It’s a good read, and cinemoose Feature about the Red on Set should also be interesting.
The RedOne, in my POV, seems to be a real addition to a good and cheap movie. It hat the look of 35mm-film, without using image-damaging [...]
No, not me. 35k is a little bit to much to spend for me right now. Mike Curtis is unboxing.
It’s interesting to see what you get for your 35k. It’s a lot. Take a look and buy it if you can afford it. If you can’t, like me, you’ll have to wait for the Scarlet
I [...]
On Studiodaily there is a Post about the digital Workflow of the RedOne compared to the work with real film cameras. Nice to read, especially because it’s written as an interview with the director, the DOF and the editor.
It would be really nice if the Scarlet would have this workflow, with proxies and the [...]
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RED® is a trademark of RED Digital Cinema. We are not part of this Company, we are just Fanboys posting about their Stuff.
Ahh, and we reserve the right to refuse service to anyone with a bad attitude too.
Collected Imagery of the all new DSMC-System.
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