Recorded with a Mysterium-X Sensor shot on an unknown lens at 800 ISO, T8, 1/48th, with daylight-balanced lighting, and untouched in post. Nice. But wouldn’t we all love to see that in moving images? Well, here you go: At Reduser you can grab a 2K ProRes LT mov of it..
Here we go.
RED Rocket board with Quad DVI and Dual Link HD-SDI- $4750
Decode and debayer 4K R3D files realtime. Hyper-accelerated transcode to any system codec. Specs to be posted upon completion of testing.
Plays full quality realtime 4K to 4K monitor or projector from DVI output. Plays full quality 2K/1080P scaled from 4K footage out [...]
On Studiodaily there is a Post about the digital Workflow of the RedOne compared to the work with real film cameras. Nice to read, especially because it’s written as an interview with the director, the DOF and the editor.
It would be really nice if the Scarlet would have this workflow, with proxies and the [...]
 |  |  |  |  |
 |  |  |  |  |
 |  |  |  |  |
 |  |  |  |  |
| By N2H | ||||
| M | T | W | T | F | S | S |
|---|---|---|---|---|---|---|
| « Jul | ||||||
| 1 | 2 | 3 | 4 | 5 | ||
| 6 | 7 | 8 | 9 | 10 | 11 | 12 |
| 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 | 22 | 23 | 24 | 25 | 26 |
| 27 | 28 | 29 | 30 | |||
RED® is a trademark of RED Digital Cinema. We are not part of this Company, we are just Fanboys posting about their Stuff.
Ahh, and we reserve the right to refuse service to anyone with a bad attitude too.
Collected Imagery of the all new DSMC-System.
More Infos about this Box
