digitalredvolution

It really has to rock to be a R1 Owner after this one. Get your full 17,500 back and get not only this Epic Brain, but also some nice to have extras.
December 3rd, the first, more to come.

If you’re asking yourself why to wait to get a Red (any of them three) istead of a D90 or D5MarkII look at this pictures. The beauty of Raw Image Processing and it’s clear Look.

As I tend to manipulate the Look of an Image extremely to get what I want I can’t imagine right now [...]

Till today Red has no backorders any more on the RedOne. Maybe that means that the Factory that build the cams is now powered up with Workers to build the Scarlets and Epics sooner as we thought?
Apropos Scarlet. Next is my Idea of what the Scarlet will be.

At reel-show.tv on Traveling with Red with Rodney Charters there is a lot of Talk about the Red One and how the communication between the DP and the Red Guys is. It’s very interesting Stuff, so you should go there and waste 23 Minutes or so. It’s worth the Time.
But the Interesting Part really [...]

Peace to the hovels! Death to the palaces! … Oh, not that Red?

Studio Dailies post about a real workflow by Scott Simmons is called that way. Sorry, for this Büchner-Intermezzo, happens often when I read/write something about Red
The Post by Scott gives an good overview how he managed to get Red-Footage from transfering [...]

Yesterday at 4am Jim posted a small post at Reduser.net.
Within a week, RED R3D files will open natively in CS3 Premiere Pro and After Effects.
Jim
__________________
“Everything in life changes… including our camera specs and delivery dates…”
We reserve the right to refuse service to anyone with a bad attitude.
Jepp, that’s the whole Post. And it’s the [...]

Seems like Build 16 of the RedOnes firmware is on it’s way to be called out of Beta. At last Art Adams thinks so, and he’s the Guy that produced wonderfull images with it.

M2G Media had to do a Spot for the all new Nissan Maxima in just 7 days. Besides using a very impressive Photobubble the whole Spot was recorded with the RedOne. At first sight they used it because of the shark and clear imagery, but they also, as the Final Footage needed to be 1080 [...]

The Filmmakersmagazin has a long and good to read article about the Reactions from two Crews who used the Red One in there Work.

In time Red will undoubtedly have competitors in the technology of high-level HD, most likely from Genesis and/or Viper. But although these systems still can‘t record more than 2K worth of [...]

HD For Indies - Another Red on Set Report
ProVideo Coalition.com: Camera Log by Adam Wilt | Founder - Shooting RED
ProVideo Coalition.com: Stunning Good Looks by Art Adams - Red Shoot Spec-Shot
ProVideo Coalition.com: Stunning Good Looks by Art Adams
Angenieux Lenses with the RED ONE | Film & Video - Testing some Lenses on the RED